Bach cantata 78

Certainly the first movement is a tour de force. The choir was the Thomanerchorwhich also served the other main churches of Leipzig for which Bach was responsible. Bach must often have composed movements of this kind in a single evening. The challenge Bach cantata 78 so often set himself was to find a pathway through intricacy and invent a series of textures that were rich and multifaceted but never overwhelming Bach cantata 78 impenetrable.

Retrieved 15 October Herausgegeben von Michael Maul. Numerous examples of word painting may be found including the octave leaps in voice and continuo on zum Streite—-to battle from bar 46 —-and the long note on stehet—stands [Jesus at my side] from bar When the choir sings, "und mich solches lassen wissen," it is easy to imagine a turba scene in one of the passions.

This is one of the few versions Harnoncourt's is the worst that made me so uncomfortable that I wished that this otherwise wonderful duet should end sooner than it did. Coverboards in decorative paper. Bach is fond of portraying the drama inherent in the terrors of this day, as the bass aria from C from the third cycle attests.

Einleitung von Michael Maul. Handel, in comparison to Bach, seems to use older traditions less commonly in his choral works.

He wrote in English rather than German, which was a new innovation at the time. The continuo part is in the hand of C. Halftone of the autograph.

Fingering by Oswald Jonas. A similar version is also used as a ground bass in the Crucifixus of the Bm Mass originating in C 12 and in the bass aria from C 4. The longest mear;u 3 hours in duration and most complex of 3 oratorios writtenincorporating music from earlier works including two secular and one church cantata BWV a.

Herz und Mund und Tat und Leben, BWV 147 (Bach, Johann Sebastian)

Presents in addition three 18th-c. From the very beginning this is a disastrous performance with almost nothing in it to make it recommendable, except perhaps as a novelty similar to the recordings of Florence Foster Jenkins RCAV Gold Seal.

bwv 78 The Gospel about the curing of the ten lepers elicited very different responses from Bach in his three cantatas for the fourteenth Sunday after Trinity. The first setting, Cantata BWV 25 written in his first Leipzig year, characterizes disease; and that its outward manifestation is of the diseased soul.

Cantata BWV 78 Jesu, der du meine Seele Discussions - Part 1: Previous Messages: Brent Peterson wrote (April 21, ): As we know from published scores and record jacket commentaries, Bach's cantata BWV 78 is based on a hymn text by Johann Rist.

The opening and closing choruses are the actual opening and closing verses of the hymn, while the inner movements are "paraphrases" of the. Discography and Discussions of J.S. Bach's Cantata. Herz und Mund und Tat und Leben, BWV (Bach, Johann Sebastian).

Bach Cantata Translations

Chorus: Jesu, der du meine Seele. An expressively chromatic passacaglia with many episodes of free counterpoint. The soprano, above this, sings the chorale tune unadorned. Aria (Soprano, Alto): Wir eilen mit schwachen, doch emsigen Schritten.

A deliciously contrasting and vivacious duet. Recitativo (Tenor): Ach! ich bin ein Kind der Sünden. Bach Ensemble, Johann Sebastian Bach, Joshua Rifkin, Jan Opalach, Allan Fast, Drew Minter, Jane Bryden, Julianne Baird, Frank Kelley, Jeffrey Thomas - Bach: 6 /5(32).

Bach cantata 78
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Bach cantata - Wikipedia